{"id":6497,"date":"2024-05-29T11:16:21","date_gmt":"2024-05-29T09:16:21","guid":{"rendered":"https:\/\/labiennale.art.pl\/?page_id=6497"},"modified":"2024-11-18T17:30:40","modified_gmt":"2024-11-18T16:30:40","slug":"2025-2","status":"publish","type":"page","link":"https:\/\/labiennale.art.pl\/en\/competition\/2025-2\/","title":{"rendered":"2025"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":3867,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"p-competition.php","meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/labiennale.art.pl\/en\/competition\/2025-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2025 - Pawilon Polski w Wenecji\" \/>\n<meta property=\"og:url\" content=\"https:\/\/labiennale.art.pl\/en\/competition\/2025-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Pawilon Polski w Wenecji\" \/>\n<meta property=\"article:modified_time\" content=\"2024-11-18T16:30:40+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebSite\",\"@id\":\"https:\/\/labiennale.art.pl\/#website\",\"url\":\"https:\/\/labiennale.art.pl\/\",\"name\":\"Pawilon Polski w Wenecji\",\"description\":\"W Mi\\u0119dzynarodowej Wystawie Sztuki \\u2014 La Biennale di Venezia Polska uczestniczy od 1932 roku, a w Mi\\u0119dzynarodowej Wystawie Architektury \\u2014 od roku 1991.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/labiennale.art.pl\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/labiennale.art.pl\/en\/competition\/2025-2\/#webpage\",\"url\":\"https:\/\/labiennale.art.pl\/en\/competition\/2025-2\/\",\"name\":\"2025 - Pawilon Polski w Wenecji\",\"isPartOf\":{\"@id\":\"https:\/\/labiennale.art.pl\/#website\"},\"datePublished\":\"2024-05-29T09:16:21+00:00\",\"dateModified\":\"2024-11-18T16:30:40+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/labiennale.art.pl\/en\/competition\/2025-2\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/labiennale.art.pl\/en\/competition\/2025-2\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/labiennale.art.pl\/en\/competition\/2025-2\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/labiennale.art.pl\/en\/\",\"url\":\"https:\/\/labiennale.art.pl\/en\/\",\"name\":\"Home\"}},{\"@type\":\"ListItem\",\"position\":2,\"item\":{\"@type\":\"WebPage\",\"@id\":\"https:\/\/labiennale.art.pl\/en\/competition\/\",\"url\":\"https:\/\/labiennale.art.pl\/en\/competition\/\",\"name\":\"Competition\"}},{\"@type\":\"ListItem\",\"position\":3,\"item\":{\"@id\":\"https:\/\/labiennale.art.pl\/en\/competition\/2025-2\/#webpage\"}}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","ACF":{"pavilion_photo":{"ID":6120,"id":6120,"title":"2015_fot. Barbara K. Kaniewska CCBYSA_2","filename":"2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-scaled.jpg","filesize":803129,"url":"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2023\/10\/2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-scaled.jpg","link":"https:\/\/labiennale.art.pl\/en\/konkurs\/2024-2\/2015_fot-barbara-k-kaniewska-ccbysa_2\/","alt":"","author":"1","description":"","caption":"Fasada Polskiego Pawilonu w Wenecji, fot. Barbara K. Kaniewska","name":"2015_fot-barbara-k-kaniewska-ccbysa_2","status":"inherit","uploaded_to":5734,"date":"2023-10-31 14:38:18","modified":"2023-10-31 14:38:49","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/labiennale.art.pl\/wp-includes\/images\/media\/default.png","width":2560,"height":1707,"sizes":{"thumbnail":"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2023\/10\/2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-340x340.jpg","thumbnail-width":340,"thumbnail-height":340,"medium":"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2023\/10\/2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-340x227.jpg","medium-width":340,"medium-height":227,"medium_large":"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2023\/10\/2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-768x512.jpg","medium_large-width":768,"medium_large-height":512,"large":"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2023\/10\/2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-1024x683.jpg","large-width":1024,"large-height":683,"1536x1536":"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2023\/10\/2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-1536x1024.jpg","1536x1536-width":1536,"1536x1536-height":1024,"2048x2048":"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2023\/10\/2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-2048x1365.jpg","2048x2048-width":2048,"2048x2048-height":1365,"archive_thumbnail":"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2023\/10\/2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-680x454.jpg","archive_thumbnail-width":680,"archive_thumbnail-height":454,"poster_thumbnail":"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2023\/10\/2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-605x403.jpg","poster_thumbnail-width":605,"poster_thumbnail-height":403,"large_thumbnail":"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2023\/10\/2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-1920x1280.jpg","large_thumbnail-width":1920,"large_thumbnail-height":1280}},"competition_info":"<p><strong>Results of the competition for a curatorial project of the exhibition in the Polish Pavilion at the 19th International Architecture Exhibition in Venice in 2025<\/strong><\/p>\n<p>The Minister of Culture and National Heritage, Hanna Wr\u00f3blewska, has accepted the Jury\u2019s recommendation of the winning project <strong>Lares and penates. On building a sense of security in architecture, presented by curator Aleksandra K\u0119dziorek, featuring <\/strong><strong>Krzysztof Maniak, Katarzyna Przezwa\u0144ska and Maciej Siuda<\/strong> to be shown at the Polish Pavilion at the 19th International Architecture Exhibition in Venice (La Biennale di Venezia) in 2025.<\/p>\n<p>The second stage of the competition for a curatorial project of the exhibition in the Polish Pavilion at the 19th International Architecture Exhibition in Venice took place on 28\u00a0October\u00a02024 at Zach\u0119ta \u2014 National Gallery of Art.\u00a0he Jury, appointed by Hanna Wr\u00f3blewska, the Minister of Culture and National Heritage, included: Anna Barlik, Anna Cymer, Micha\u0142 Duda, Marlena Happach, Donata Jaworska, Kacper K\u0119pi\u0144ski, Ewa Por\u0119bska, Boles\u0142aw Stelmach, \u0141ukasz St\u0119pnik, Justyna Szylman, Jaros\u0142aw Trybu\u015b. From 45 exhibition proposals qualified to enter the competition the Jury, in an open vote, selected the project\u00a0<strong>Lares and penates. On building a sense of security in architecture, presented by curator Aleksandra K\u0119dziorek, featuring <\/strong><strong>Krzysztof Maniak, Katarzyna Przezwa\u0144ska and Maciej Siuda. <\/strong>The deliberations concluded with the following statement of the Jury:<\/p>\n<p><em>The entry <\/em>Lares and penates. On building a sense of security in architecture<em> refers to the tradition of treating architecture as a widely-understood safe haven from elements, catastrophes and wars. Questioning the fact of architecture being able to build safe surroundings, the work recalls both real (technical) and culture-rooted practices giving people the feeling of agency. To what extent are those formal and customary methods of providing a sense of security effective? Are the seemingly irrational elements able to bring a new view of the future of architecture and generate a new repertoire of solutions in the name of creating inteligent practices combining knowledge and intuition?<\/em><\/p>\n<p>The entry\u00a0<strong><em>Uninvited guests<\/em>, submitted by Adam Przywara, featuring Diana Lelonek, topoScape and Archigrest<\/strong> was selected as the reserve project.<\/p>\n<p>&nbsp;<\/p>\n<p>19. International Architecture Exhibition \u2014 La Biennale di Venezia<\/p>\n<p>10 May\u201323 November 2025<\/p>\n<p>general curator: Carlo Ratti<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Polish participation in the 19. International Architecture Exhibition is financed by the Ministry of Culture and National Heritage of the Republic of Poland<\/p>\n<p><span style=\"color: #ff0000;\">In accordance with the provisions of the competition rules, all projects submitted to the competition are made public in the form chosen by the organiser. Exhibition concepts and scenario summaries of all projects are made available, while full scenarios with visualisations are available only with additional consent from the team members.<\/span><\/p>\n<p><span style=\"color: #ff0000;\">Documentation of the projects shortlisted for the second stage is published in whole, excluding the cost estimates.<\/span><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Competition announcement<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>The Minister of Culture and National Heritage and Zach\u0119ta \u2014 National Gallery of Art are announcing a COMPETITION for an exhibition project for the Polish Pavilion to be presented at the 19th International Exhibition of of Architecture in Venice in 2025, whose general curator is Carlo Ratti.<\/p>\n<p>The competition is open and made up of two stages. For the first stage, please submit:<\/p>\n<ul>\n<li>the general concept of the exhibition, stating the main theme,<\/li>\n<li>an overall visualisation of the exhibition<\/li>\n<li>an overall cost estimate of the exhibition.<\/li>\n<\/ul>\n<p>The competition is geared toward all curators or teams of curators interested in taking part. The project curator or at least one person in a curator team should hold:<\/p>\n<p>\u2014 a higher education,<\/p>\n<p>\u2014 a good knowledge of issues in contemporary architecture, curatorial experience in organizing exhibitions,<\/p>\n<p>\u2014 a knowledge of English to a degree facilitating free communication, including giving interviews, guiding curator\u2019s tours.<\/p>\n<p>&nbsp;<\/p>\n<p>In the competition procedure, the first and last name of the curator (or curator team) is concealed in both stages (I and II). The competition documentation may provide the names of the artists\/architects to be presented in the exhibition. The design proposals submitted at each stage should include a sealed envelope closed with an emblem (a separate envelope for each stage), containing:<\/p>\n<p>\u2014 the same emblem \u2013 submitted in both stages;<\/p>\n<p>\u2014 the first and last name(s) of the curator(s) \u2013 submitted in both stages;<\/p>\n<p>\u2014 address, email address and telephone number of the curator(s) \u2013 submitted in both stages;<\/p>\n<p>\u2014CV of the curator(s), with the following information: education, experience in making exhibition designs and level of proficiency in the English language \u2013 submitted only in stage II;<\/p>\n<p>\u2014 a \u2018Curator\u2019s Declaration\u2019, filled in and signed, attachment no. 2 in the Regulations, filled in by each curator \u2013 submitted in both stages;<\/p>\n<p>\u2014 the \u2018Artist\u2019s Statement\u2019, filled in and signed, attachment no. 3 in the Regulations \u2013- submitted only in stage II<\/p>\n<p>&nbsp;<\/p>\n<p>The general concepts of all the exhibitions admitted for assessment, submitted in stage I, will be made public after the competition results are announced. The general visualisations of the exhibitions submitted in stage I will only be put on show with the teams\u2019 written consent; the overall cost estimate is not made public.<\/p>\n<p>&nbsp;<\/p>\n<p>The deadline for submitting projects for stage I is 20 September 2024. By this date it must arrive at the organiser\u2019s address, at:<\/p>\n<p>Zach\u0119ta \u2014 National Gallery of Art<\/p>\n<p>Pl. Ma\u0142achowskiego 3<\/p>\n<p>00-916 Warsaw<\/p>\n<p>in an envelope marked \u2018Biennale Architektury 2025\u2019<\/p>\n<p><strong>The planned date for publishing the results of stage I is: 24.09.2024.<\/strong><\/p>\n<p><strong>The<\/strong><strong> labiennale.art.pl <\/strong><strong>web site will announce the emblems of the teams that qualify for stage II<\/strong><strong>. <\/strong><strong>The project designers should supply the documentation for stage<\/strong><strong> II<\/strong><strong> by <\/strong><strong>21.10.2024. A<\/strong><strong>s the applicants\u2019 names are concealed, the organiser will not be reaching out to participants to submit these documents<\/strong><strong>. <\/strong><\/p>\n<p>Full conditions and rules of participation in the competition are to be found in the competition regulations.<\/p>\n<p>Downloads:<\/p>\n<p>\u2014competition regulations [<a href=\"https:\/\/labiennale.art.pl\/media\/regulamin-konkursu-2025\/\">pdf<\/a>]<\/p>\n<p>\u2014floor plan of the Polish Pavilion [<a href=\"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2018\/07\/Pawilon-POLONIA.zip\">zip<\/a>]<\/p>\n<p>&nbsp;<\/p>\n<p>For more information on the competition: Micha\u0142 Kubiak <a href=\"mailto:m.kubiak@zacheta.art.pl\">m.kubiak@zacheta.art.pl<\/a>, Anna Kowalska <a href=\"mailto:a.kowalska@zacheta.art.pl\">a.kowalska@zacheta.art.pl<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>19th International Architecture Exhibition \u2014 La Biennale di Venezia<\/p>\n<p>10 May\u201323 November 2025<\/p>\n<p>general curator: Carlo Ratti<\/p>\n<p>more on the <a href=\"https:\/\/www.labiennale.org\/en\/architecture\/2023\">Architecture Biennale 2025<\/a><\/p>\n","competition_curator":"<p>The title of the Biennale Architettura 2025 is\u00a0<strong>Intelli<u>gens<\/u>. Natural. Artificial. Collective.<\/strong>\u00a0Explaining his choice\u00a0<strong>Carlo Ratti<\/strong>\u00a0said that \u00abthe title of the International Architecture Exhibition is usually announced both in English and in Italian. In 2025 it will be condensed into a single word for both languages via the common Latin precedent:\u00a0<em>intelligens<\/em>. The title\u00a0<em>Intelligens<\/em>\u00a0is linked to the modern term \u201cintelligence,\u201d but it also evokes a wider set of associated meanings. In fact, the final syllable, \u201cgens\u201d is Latin for \u201cpeople\u201d. A new, fictional root emerges, suggesting a future of intelligence that is inclusive, multiple, and imaginative beyond today\u2019s limiting focus on AI.\u00bb<\/p>\n<p>\u00abThe 19<sup>th<\/sup>\u00a0International Architecture Exhibition will be about the built environment and the many disciplines that shape it. Architecture is at the center \u2013\u00a0<strong>Curator<\/strong>\u00a0explained \u2013 but not alone. It is part of an extended sphere that integrates art, engineering, biology, data science, social and political sciences, planetary systems sciences, and other disciplines \u2013 linking each and all of them to the materiality of urban space.<\/p>\n<p>The built environment is one of the largest contributors to atmospheric emissions, placing architecture among the main culprits in the degradation of our planet. As the climate crisis accelerates, must we resign ourselves to this role, or are we still able to offer solutions, substantial and non-cosmetic, effective and quick to achieve?<\/p>\n<p>The Exhibition will search for a path forward, proposing that intelligent solutions to pressing problems can take many forms. It will present a collection of design proposals and many other experiments, exploring a definition of \u201cintelligence\u201d as an ability to adapt to the environment with limited resources, knowledge, or power.<\/p>\n<p>Objects, buildings, and urban plans will be arranged along the axis of a multiple and widespread intelligence \u2013 organized as\u00a0<strong>natural, artificial, collective,<\/strong>\u00a0and combinations of the three. While some ideas are destined to fail, others may point us toward redemption.<\/p>\n<p>The Exhibition will cast architects in the role of \u201cmutagens\u201d stimulating natural evolutionary processes and sending them off in new directions. Learning from many sciences, this exhibition hopes to accelerate the transformation of the present through fearless trial and error, and to find a better future in the process\u00bb.<\/p>\n<p><strong>AN EXHIBITION FOUNDED ON FOUR METHODOLOGICAL PILLARS<\/strong><\/p>\n<p><strong>Transdisciplinarity<\/strong>: architectural projects will be collaborations between multiple professionals, with the objective of advancing scientific knowledge whenever possible.<\/p>\n<p><strong>Living Lab<\/strong>: as the Central Pavillion at the Giardini will be under renovation in 2025, it will be replaced by a number of special projects that will leverage Venice and the outdoor areas of the Biennale Exhibition venues as a Living Lab, merging interacting forms of intelligence.<\/p>\n<p><strong>Space For Ideas<\/strong>: at a time of crisis, we need to embrace a collaborative approach to design. As of May 7, 2024, a public venue for the submission of ideas is open on the website of La Biennale, fostering an expansive heterogeneity of voices, visions, and suggestions.<\/p>\n<p><strong>Circularity Protocol<\/strong>: the Exhibition aims to set unprecedented goals for circularity. A Circularity Manifesto will be developed to define clear directions and a new standard for the future of cultural events.<\/p>\n","competition_projects":false,"competition_winner":"","competition_winner_project":{"ID":6007,"post_author":"1","post_date":"2023-10-18 15:32:34","post_date_gmt":"2023-10-18 13:32:34","post_content":"","post_title":"","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"6007","to_ping":"","pinged":"","post_modified":"2023-10-18 15:32:34","post_modified_gmt":"2023-10-18 13:32:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/labiennale.art.pl\/?post_type=projekty&#038;p=6007","menu_order":0,"post_type":"projekty","post_mime_type":"","comment_count":"0","filter":"raw"},"competition_contact":""},"_links":{"self":[{"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages\/6497"}],"collection":[{"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/comments?post=6497"}],"version-history":[{"count":5,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages\/6497\/revisions"}],"predecessor-version":[{"id":6759,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages\/6497\/revisions\/6759"}],"up":[{"embeddable":true,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages\/3867"}],"wp:attachment":[{"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/media?parent=6497"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}