{"id":9015,"date":"2026-07-27T12:05:50","date_gmt":"2026-07-27T10:05:50","guid":{"rendered":"https:\/\/labiennale.art.pl\/?page_id=9015"},"modified":"2026-10-28T12:34:47","modified_gmt":"2026-10-28T11:34:47","slug":"2027-2","status":"publish","type":"page","link":"https:\/\/labiennale.art.pl\/en\/competition\/2027-2\/","title":{"rendered":"2027"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":3867,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"p-competition.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-9015","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>2027 - Pawilon Polski w Wenecji<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/labiennale.art.pl\/en\/competition\/2027-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2027 - Pawilon Polski w Wenecji\" \/>\n<meta property=\"og:url\" content=\"https:\/\/labiennale.art.pl\/en\/competition\/2027-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Pawilon Polski w Wenecji\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-28T11:34:47+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/labiennale.art.pl\\\/en\\\/competition\\\/2027-2\\\/\",\"url\":\"https:\\\/\\\/labiennale.art.pl\\\/en\\\/competition\\\/2027-2\\\/\",\"name\":\"2027 - Pawilon Polski w Wenecji\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/labiennale.art.pl\\\/#website\"},\"datePublished\":\"2026-07-27T10:05:50+00:00\",\"dateModified\":\"2026-10-28T11:34:47+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/labiennale.art.pl\\\/en\\\/competition\\\/2027-2\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/labiennale.art.pl\\\/en\\\/competition\\\/2027-2\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/labiennale.art.pl\\\/en\\\/competition\\\/2027-2\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/labiennale.art.pl\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Competition\",\"item\":\"https:\\\/\\\/labiennale.art.pl\\\/en\\\/competition\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"2027\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/labiennale.art.pl\\\/#website\",\"url\":\"https:\\\/\\\/labiennale.art.pl\\\/\",\"name\":\"Pawilon Polski w Wenecji\",\"description\":\"W Mi\u0119dzynarodowej Wystawie Sztuki \u2014 La Biennale di Venezia Polska uczestniczy od 1932 roku, a w Mi\u0119dzynarodowej Wystawie Architektury \u2014 od roku 1991.\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/labiennale.art.pl\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"2027 - 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Barbara K. Kaniewska CCBYSA_2","filename":"2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-scaled.jpg","filesize":803129,"url":"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2023\/10\/2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-scaled.jpg","link":"https:\/\/labiennale.art.pl\/en\/konkurs\/2024-2\/2015_fot-barbara-k-kaniewska-ccbysa_2\/","alt":"","author":"1","description":"","caption":"Fasada Polskiego Pawilonu w Wenecji, fot. Barbara K. 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The jury, assembled by the Minister of Culture and National Heritage, included: Micha\u0142 Duda, Donata Jaworska, Aleksandra K\u0119dziorek, Micha\u0142 Krasucki, Maciej Kury\u0142owicz, Marcin Kwietowicz, Grzegorz Pi\u0105tek, Agnieszka Pindera, Ewa Por\u0119bska, Dorota Le\u015bniak-Rychlak, Boles\u0142aw Stelmach, Ma\u0142gorzata Tomczak and Olga Wysocka.<\/p>\n<p>The jury substantiated their verdict as follows:<\/p>\n<p>The World\u2019s Priciest of Land, submitted by curator team Artur Jerzy Filip and Grzegorz Laszuk, with Barbara Kinga Majewska, Julek P\u0142oski, Adrian Cognac, Wiktor Malinowski, Grzegorz Laszuk, Artur Jerzy Filip, Bogna \u015awi\u0105tkowska and Ewa Ziajkowska, is a brilliant show of understanding for the values a city should represent. According to the curators\u2019 description, this performative exhibition and multimedia cantata aim to prompt questions about the criteria that decide on the role of the plot of land as the start of a piece of architecture. The exhibition takes an ironic look at the real estate market, undercutting the primacy of economic criteria in favour of social values. It does so in an interdisciplinary fashion that is artistic and beyond the local.<\/p>\n<p><strong>Up for Grabs, curated by Zuzanna Mielczarek, was chosen as the reserve project.<\/strong><\/p>\n<p>The jury substantiated their verdict as follows:<\/p>\n<p>The reserve project is Up for Grabs, submitted by curator Zuzanna Mielczarek, collaborating with T\u0141O architecture studio (Micha\u0142 Sikorski, Marta Wi\u015bniewska), Zuzanna Skurka, Bart Buczek, Zofia Jaworowska, Zofka Kofta, Gabriela Nikorzewska, Jaros\u0142aw Nikorzewski, Kuba Rodziewicz, Aga Beaupr\u00e9 and Rafa\u0142 Ziemi\u0144ski. The project takes an original approach to the reuse of materials in architecture. It subversively joins universal issues and local specifics, developing the idea of reuse based on a particular example \u2013 a house slated for demolition. The jury appreciated the coherent and consistent aesthetic, corresponding to the theme it raises. The work is an apotheosis of ordinariness, pointing to the potential in everyday materials. The value of this submission is how it shows a new cycle of the parts made for the exhibition \u2013 their return and reuse in their place of origin, in the Polish countryside.<\/p>\n<p>As stated in the regulations, all the projects accepted for the competition will be made public on the Polish Pavilion web site by a deadline of one month after the competition verdict is announced. These will include the exhibition concepts and script summaries of all the projects submitted to the competition, while the full scripts and visualisations will only be made available with the curators\u2019 permission.<\/p>\n<p>The caretaker of the Polish Pavilion and organiser of exhibitions at the Polish Pavilion at the Art Biennale and Architecture Biennale in Venice is Zach\u0119ta \u2013 National Gallery of Art.<\/p>\n<p>Poland\u2019s participation in the 20th International Architecture Exhibition in Venice is financed by the Polish Ministry of Culture and National Heritage.<\/p>\n<p>20th International Architecture Exhibition \u2014 La Biennale di Venezia<br \/>\n8 May\u201321 November 2027<br \/>\nMore on the <a href=\"http:\/\/The Minister of Culture and National Heritage, Marta Cienkowska, has qualified the winning project for the Polish Pavilion at the 20th International Architecture Exhibition in Venice in 2027, as nominated by the competition jury, The World\u2019s Priciest Plot of Land, submitted by curators Artur Jerzy Filip and Grzegorz Laszuk. On 14 October, Zach\u0119ta \u2013 National Gallery of Art hosted the jury sitting for stage two of the curator\u2019s project competition for the exhibition at the Polish Pavilion during the 20th International Architecture Exhibition in Venice, 2027. The jury, assembled by the Minister of Culture and National Heritage, included: Micha\u0142 Duda, Donata Jaworska, Aleksandra K\u0119dziorek, Micha\u0142 Krasucki, Maciej Kury\u0142owicz, Marcin Kwietowicz, Grzegorz Pi\u0105tek, Agnieszka Pindera, Ewa Por\u0119bska, Dorota Le\u015bniak-Rychlak, Boles\u0142aw Stelmach, Ma\u0142gorzata Tomczak and Olga Wysocka. The jury substantiated their verdict as follows: The World\u2019s Priciest of Land, submitted by curator team Artur Jerzy Filip and Grzegorz Laszuk, with Barbara Kinga Majewska, Julek P\u0142oski, Adrian Cognac, Wiktor Malinowski, Grzegorz Laszuk, Artur Jerzy Filip, Bogna \u015awi\u0105tkowska and Ewa Ziajkowska, is a brilliant show of understanding for the values a city should represent. According to the curators\u2019 description, this performative exhibition and multimedia cantata aim to prompt questions about the criteria that decide on the role of the plot of land as the start of a piece of architecture. The exhibition takes an ironic look at the real estate market, undercutting the primacy of economic criteria in favour of social values. It does so in an interdisciplinary fashion that is artistic and beyond the local. Up for Grabs, curated by Zuzanna Mielczarek, was chosen as the reserve project. The jury substantiated their verdict as follows: The reserve project is Up for Grabs, submitted by curator Zuzanna Mielczarek, collaborating with T\u0141O architecture studio (Micha\u0142 Sikorski, Marta Wi\u015bniewska), Zuzanna Skurka, Bart Buczek, Zofia Jaworowska, Zofka Kofta, Gabriela Nikorzewska, Jaros\u0142aw Nikorzewski, Kuba Rodziewicz, Aga Beaupr\u00e9 and Rafa\u0142 Ziemi\u0144ski. The project takes an original approach to the reuse of materials in architecture. It subversively joins universal issues and local specifics, developing the idea of reuse based on a particular example \u2013 a house slated for demolition. The jury appreciated the coherent and consistent aesthetic, corresponding to the theme it raises. The work is an apotheosis of ordinariness, pointing to the potential in everyday materials. The value of this submission is how it shows a new cycle of the parts made for the exhibition \u2013 their return and reuse in their place of origin, in the Polish countryside. As stated in the regulations, all the projects accepted for the competition will be made public on the Polish Pavilion web site by a deadline of one month after the competition verdict is announced. These will include the exhibition concepts and script summaries of all the projects submitted to the competition, while the full scripts and visualisations will only be made available with the curators\u2019 permission. The caretaker of the Polish Pavilion and organiser of exhibitions at the Polish Pavilion at the Art Biennale and Architecture Biennale in Venice is Zach\u0119ta \u2013 National Gallery of Art. Poland\u2019s participation in the 20th International Architecture Exhibition in Venice is financed by the Polish Ministry of Culture and National Heritage. 20th International Architecture Exhibition \u2014 La Biennale di Venezia 8 May\u201321 November 2027 More on the Architecture Biennale\">Architecture Biennale<\/a><\/p>\n<hr \/>\n<p><strong>Results of the first stage of the competition for a curatorial exhibition project at the Polish Pavilion for the 20th International Architecture Exhibition in Venice in 2027<\/strong><\/p>\n<p>On August 31, 2026, at Zach\u0119ta\u2014National Gallery of Art, the jury gathered for the first stage of the competition for an exhibition project at the Polish Pavilion for the 20th International Architecture Exhibition in Venice in 2027. The jurors, appointed by Marta Cienkowska, Minister of Culture and National Heritage, reviewed 48 proposals and selected 8 entries for the second stage of the competition, identified by the following codes:<\/p>\n<ul>\n<li>220960<\/li>\n<li>TACO20<\/li>\n<li>151617<\/li>\n<li>3638<\/li>\n<li>OIOM<\/li>\n<li>262026W<\/li>\n<li>DZIE\u0143DOBRY666<\/li>\n<li>5091<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>In accordance with the competition rules, the authors of the above entries are asked to submit the documents required for stage II. The deadline for submitting the documents is October 1st, 2026.<\/p>\n<hr \/>\n<p style=\"text-align: left;\"><strong>Competition announcement<\/strong><\/p>\n<p>The Minister of Culture and National Heritage and Zach\u0119ta \u2014 National Gallery of Art are announcing a competition for a curatorial\u00a0 exhibition project for the Polish Pavilion to be presented at the 20th International Architecture Exhibition in Venice in 2026.<\/p>\n<p>The competition is open and made up of two stages.<\/p>\n<p>For the first stage, please submit:<\/p>\n<ul>\n<li>the general concept of the exhibition, stating the main theme,<\/li>\n<li>an overall visualisation of the exhibition<\/li>\n<li>an overall cost estimate of the exhibition.<\/li>\n<\/ul>\n<p>In the competition procedure, the first and last name of the curator (or curator team) is concealed in both stages (I and II). The competition documentation may provide the names of the artists\/architects to be presented in the exhibition.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The deadline for submitting projects for stage I is 28th August 2026. \u00a0<\/strong><\/p>\n<p>By this date the proposals must arrive at the organiser\u2019s address, at:<\/p>\n<p>Zach\u0119ta \u2014 National Gallery of Art<\/p>\n<p>Pl. Ma\u0142achowskiego 3<\/p>\n<p>00-916 Warsaw<\/p>\n<p>in an envelope marked \u2018Biennale Architektury 2027\u2019<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The planned date for publishing the results of stage I is:<\/strong> <strong>1st September 20256<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>The labiennale.art.pl web site will announce the emblems of the teams that qualify for stage II. The project designers should supply the documentation for stage II by 1st October 2026. As the applicants\u2019 names are concealed, the organiser will not be reaching out to participants to submit these documents.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>The competition&#8217;s Jury:<\/p>\n<ol>\n<li>Micha\u0142 Duda \u2013 director of Museum of Architecture in Wroclaw, architecture historian<\/li>\n<li>Donata Jaworska \u2013 director of the Department for National Institutions of Culture (representative of the Ministry of Culture and National Heritage of the Republic of Poland)<\/li>\n<li>Aleksandra K\u0119dziorek \u2013 art and architecture historian, contemporary architecture researcher<\/li>\n<li>Micha\u0142 Krasucki \u2013 art historian, acting director of National Institute of Cultural Heritage<\/li>\n<li>Maciej Kury\u0142owicz \u2013 representative of Association of Polish Architects, architect, First Vice President of Association of Polish Architects<\/li>\n<li>Marcin Kwietowicz \u2013 architect, designer of the expositions in the Polish Pavilion in 2005 and 2026<\/li>\n<li>Grzegorz Pi\u0105tek \u2013 architect, critic, architecture historian<\/li>\n<li>Agnieszka Pindera \u2013 curator, art theorist, director of Zach\u0119ta \u2013 National Gallery of Art, commissioner of the Polish Pavilion in Venice<\/li>\n<li>Ewa Por\u0119bska \u2013 architect, architecture critic, exhibition curator<\/li>\n<li>Dorota Le\u015bniak-Rychlak \u2013 architect, art historian, editor-in-chief of &#8216;Autoportret&#8217; magazine<\/li>\n<li>Boles\u0142aw Stelmach \u2013 architect, acting director of The National Institute of Architecture and Urban Planning<\/li>\n<li>Ma\u0142gorzata Tomczak \u2013 architecture critic, editor-in-chief of &#8216;Architektura &amp; Biznes&#8217; magazine<\/li>\n<li>Olga Wysocka \u2013 cultural manager, political scientist, director of Adam Mickiewicz Institute<\/li>\n<\/ol>\n<p>Full conditions and rules of participation in the competition are to be found in the competition regulations.<\/p>\n<p>Downloads:<\/p>\n<p>\u2014competition regulations (in Polish) [<a href=\"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2026\/07\/Regulamin-konkursu-Biennale-Architektury-2027-1.pdf\">pdf<\/a>] [<a href=\"https:\/\/labiennale.art.pl\/regulamin-konkursu-biennale-architektury-2027-3\/\">.docx<\/a>]<\/p>\n<p>\u2014 floor plan of the Polish Pavilion [<a href=\"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2026\/07\/Plany-pawilonu-konkurs.zip\">zip<\/a>]<\/p>\n<p>Additional information about the competition:<\/p>\n<p>Micha\u0142 Kubiak m.kubiak@zacheta.art.pl; Anna Kowalska a.kowalska@zacheta.art.pl<\/p>\n<p>&nbsp;<\/p>\n<p>20th International Architecture Exhibition \u2014 La Biennale di Venezia<\/p>\n<p>8 May\u201321 November 2027<\/p>\n<p>more about the <a href=\"https:\/\/www.labiennale.org\/it\/architettura\/2027\">Architecture Biennale 2027<\/a><\/p>\n","competition_curator":"<p class=\"rtejustify\">Explaining their choice\u00a0<strong>Wang Shu and Lu Wenyu<\/strong> said: \u00abAll these questions point to one essential path: facing real reality and local practice, and directly \u201cdo architecture\u201d, especially a kind of \u201cdo\u201d that is grounded in bodily touch. It is precisely through this concrete act of \u201cdo\u201d that things which seem impossible to bring together can gather in one place. This is the theme we propose for the Biennale Architettura 2027:\u00a0<strong>Do Architecture\u00a0<\/strong>\u2014<strong>For the Possibility of Coexistence Facing a Real Reality<\/strong>\u00bb.<\/p>\n<p class=\"rtejustify\">\u00abIn the face of global climate change, can active and passive approaches to design, strategy, and technology work alongside one another? Can land and architecture coexist? Can more natural materials and local craftsmanship overcome conceptual and technical barriers to stand alongside modern design and construction as their primary components? Can memory and innovation coexist dialectically? Can the efficiency of modern design and construction coexist with slower, more meaningful forms of craftsmanship? Can we resolve the conflict between urban and rural models of development? Is there a way for them to coexist while preserving the vulnerable character of rural areas?\u00bb<\/p>\n<p class=\"rtejustify\">\u00abWe believe that architecture is not only something to be discussed but, more importantly, something to be done first-hand. The philosophy of architecture is a philosophy of how to do: a practice that confronts real reality, in real places, through real construction\u00bb.<\/p>\n<p class=\"rtejustify\">\u00abWe believe that architecture as an effort to protect local cultural heritage can coexist with architecture as an avant-garde force for social transformation. Only in this way can architecture preserve its value in an age flooded by technology. Only in this way can humanity, through architecture, preserve a tangible value. Only through continuous struggle can hope be kept alive\u00bb.<\/p>\n","competition_projects":false,"competition_winner":"","competition_winner_project":{"ID":6007,"post_author":"1","post_date":"2023-10-18 15:32:34","post_date_gmt":"2023-10-18 13:32:34","post_content":"","post_title":"","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"6007","to_ping":"","pinged":"","post_modified":"2023-10-18 15:32:34","post_modified_gmt":"2023-10-18 13:32:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/labiennale.art.pl\/?post_type=projekty&#038;p=6007","menu_order":0,"post_type":"projekty","post_mime_type":"","comment_count":"0","filter":"raw"},"competition_contact":""},"_links":{"self":[{"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages\/9015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/comments?post=9015"}],"version-history":[{"count":15,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages\/9015\/revisions"}],"predecessor-version":[{"id":9148,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages\/9015\/revisions\/9148"}],"up":[{"embeddable":true,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages\/3867"}],"wp:attachment":[{"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/media?parent=9015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}