{"id":9015,"date":"2026-07-27T12:05:50","date_gmt":"2026-07-27T10:05:50","guid":{"rendered":"https:\/\/labiennale.art.pl\/?page_id=9015"},"modified":"2026-07-27T13:48:39","modified_gmt":"2026-07-27T11:48:39","slug":"2027-2","status":"publish","type":"page","link":"https:\/\/labiennale.art.pl\/en\/competition\/2027-2\/","title":{"rendered":"2027"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":3867,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"p-competition.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-9015","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>2027 - Pawilon Polski w Wenecji<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/labiennale.art.pl\/en\/competition\/2027-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"2027 - 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Barbara K. Kaniewska CCBYSA_2","filename":"2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-scaled.jpg","filesize":803129,"url":"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2023\/10\/2015_fot.-Barbara-K.-Kaniewska-CCBYSA_2-scaled.jpg","link":"https:\/\/labiennale.art.pl\/en\/konkurs\/2024-2\/2015_fot-barbara-k-kaniewska-ccbysa_2\/","alt":"","author":"1","description":"","caption":"Fasada Polskiego Pawilonu w Wenecji, fot. Barbara K. 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The competition documentation may provide the names of the artists\/architects to be presented in the exhibition.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The deadline for submitting projects for stage I is 28th August 2026. \u00a0<\/strong><\/p>\n<p>By this date the proposals must arrive at the organiser\u2019s address, at:<\/p>\n<p>Zach\u0119ta \u2014 National Gallery of Art<\/p>\n<p>Pl. Ma\u0142achowskiego 3<\/p>\n<p>00-916 Warsaw<\/p>\n<p>in an envelope marked \u2018Biennale Architektury 2027\u2019<\/p>\n<p>&nbsp;<\/p>\n<p><strong>The planned date for publishing the results of stage I is:<\/strong> <strong>1st September 20256<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>The labiennale.art.pl web site will announce the emblems of the teams that qualify for stage II. The project designers should supply the documentation for stage II by 1st October 2026. As the applicants\u2019 names are concealed, the organiser will not be reaching out to participants to submit these documents.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>The competition&#8217;s Jury:<\/p>\n<ol>\n<li>Micha\u0142 Duda \u2013 director of Museum of Architecture in Wroclaw, architecture historian<\/li>\n<li>Donata Jaworska \u2013 director of the Department for National Institutions of Culture (representative of the Ministry of Culture and National Heritage of the Republic of Poland)<\/li>\n<li>Aleksandra K\u0119dziorek \u2013 art and architecture historian, contemporary architecture researcher<\/li>\n<li>Micha\u0142 Krasucki \u2013 art historian, acting director of National Institute of Cultural Heritage<\/li>\n<li>Maciej Kury\u0142owicz \u2013 representative of Association of Polish Architects, architect, First Vice President of Association of Polish Architects<\/li>\n<li>Marcin Kwietowicz \u2013 architect, designer of the expositions in the Polish Pavilion in 2005 and 2026<\/li>\n<li>Grzegorz Pi\u0105tek \u2013 architect, critic, architecture historian<\/li>\n<li>Agnieszka Pindera \u2013 curator, art theorist, director of Zach\u0119ta \u2013 National Gallery of Art, commissioner of the Polish Pavilion in Venice<\/li>\n<li>Ewa Por\u0119bska \u2013 architect, architecture critic, exhibition curator<\/li>\n<li>Dorota Le\u015bniak-Rychlak \u2013 architect, art historian, editor-in-chief of &#8216;Autoportret&#8217; magazine<\/li>\n<li>Boles\u0142aw Stelmach \u2013 architect, acting director of The National Institute of Architecture and Urban Planning<\/li>\n<li>Ma\u0142gorzata Tomczak \u2013 architecture critic, editor-in-chief of &#8216;Architektura &amp; Biznes&#8217; magazine<\/li>\n<li>Olga Wysocka \u2013 cultural manager, political scientist, director of Adam Mickiewicz Institute<\/li>\n<\/ol>\n<p>Full conditions and rules of participation in the competition are to be found in the competition regulations.<\/p>\n<p>Downloads:<\/p>\n<p>\u2014competition regulations (in Polish) [<a href=\"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2026\/07\/Regulamin-konkursu-Biennale-Architektury-2027-1.pdf\">pdf<\/a>] [<a href=\"https:\/\/labiennale.art.pl\/regulamin-konkursu-biennale-architektury-2027-3\/\">.docx<\/a>]<\/p>\n<p>\u2014 floor plan of the Polish Pavilion [<a href=\"https:\/\/labiennale.art.pl\/wp-content\/uploads\/2026\/07\/Plany-pawilonu-konkurs.zip\">zip<\/a>]<\/p>\n<p>Additional information about the competition:<\/p>\n<p>Micha\u0142 Kubiak m.kubiak@zacheta.art.pl; Anna Kowalska a.kowalska@zacheta.art.pl<\/p>\n<p>&nbsp;<\/p>\n<p>20th International Architecture Exhibition \u2014 La Biennale di Venezia<\/p>\n<p>8 May\u201321 November 2027<\/p>\n<p>more about the <a href=\"https:\/\/www.labiennale.org\/it\/architettura\/2027\">Architecture Biennale 2027<\/a><\/p>\n","competition_curator":"<p class=\"rtejustify\">Explaining their choice\u00a0<strong>Wang Shu and Lu Wenyu<\/strong> said: \u00abAll these questions point to one essential path: facing real reality and local practice, and directly \u201cdo architecture\u201d, especially a kind of \u201cdo\u201d that is grounded in bodily touch. It is precisely through this concrete act of \u201cdo\u201d that things which seem impossible to bring together can gather in one place. This is the theme we propose for the Biennale Architettura 2027:\u00a0<strong>Do Architecture\u00a0<\/strong>\u2014<strong>For the Possibility of Coexistence Facing a Real Reality<\/strong>\u00bb.<\/p>\n<p class=\"rtejustify\">\u00abIn the face of global climate change, can active and passive approaches to design, strategy, and technology work alongside one another? Can land and architecture coexist? Can more natural materials and local craftsmanship overcome conceptual and technical barriers to stand alongside modern design and construction as their primary components? Can memory and innovation coexist dialectically? Can the efficiency of modern design and construction coexist with slower, more meaningful forms of craftsmanship? Can we resolve the conflict between urban and rural models of development? Is there a way for them to coexist while preserving the vulnerable character of rural areas?\u00bb<\/p>\n<p class=\"rtejustify\">\u00abWe believe that architecture is not only something to be discussed but, more importantly, something to be done first-hand. The philosophy of architecture is a philosophy of how to do: a practice that confronts real reality, in real places, through real construction\u00bb.<\/p>\n<p class=\"rtejustify\">\u00abWe believe that architecture as an effort to protect local cultural heritage can coexist with architecture as an avant-garde force for social transformation. Only in this way can architecture preserve its value in an age flooded by technology. Only in this way can humanity, through architecture, preserve a tangible value. Only through continuous struggle can hope be kept alive\u00bb.<\/p>\n","competition_projects":false,"competition_winner":"","competition_winner_project":{"ID":6007,"post_author":"1","post_date":"2023-10-18 15:32:34","post_date_gmt":"2023-10-18 13:32:34","post_content":"","post_title":"","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"6007","to_ping":"","pinged":"","post_modified":"2023-10-18 15:32:34","post_modified_gmt":"2023-10-18 13:32:34","post_content_filtered":"","post_parent":0,"guid":"https:\/\/labiennale.art.pl\/?post_type=projekty&#038;p=6007","menu_order":0,"post_type":"projekty","post_mime_type":"","comment_count":"0","filter":"raw"},"competition_contact":""},"_links":{"self":[{"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages\/9015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/comments?post=9015"}],"version-history":[{"count":12,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages\/9015\/revisions"}],"predecessor-version":[{"id":9070,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages\/9015\/revisions\/9070"}],"up":[{"embeddable":true,"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/pages\/3867"}],"wp:attachment":[{"href":"https:\/\/labiennale.art.pl\/en\/wp-json\/wp\/v2\/media?parent=9015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}