Architects are used to looking at environmental, social, political, economic and housing problems from the perspective of a city whose mechanisms they understand, describe and analyse. Meanwhile, PROLOG +1 is part of a trend initiated in recent years, in which architects and researchers focus on ‘everything that is not a city’. Creators of the Trouble in Paradise exhibition in the Polish Pavilion propose to look for solutions to global problems in new ways of organising rural areas and to examine the forces and processes that govern them, not yet recognised by architects. They are convinced that the future of the world depends on the countryside and that cities cannot exist without it.
Within the exhibition, PROLOG +1 treats the countryside as an independent area of research. It sees it as a product of planned social, spatial and political experiments of the state. The case study of Poland — a country in which 93 per cent of the area is rural — becomes an instrument for understanding the specificity of post-socialist Europe and makes it possible to identify problems on a global scale. The method adopted to understand what the countryside is an analysis of its territory, settlement and home — the three areas on which the authors of the exhibition focused their interest. The sharing of goods, land ownership, spatial planning and ways of working and living together are universal regardless of the place. The rural landscape is subject to the forces of capital, the number of inhabitants working on the land is decreasing, and the percentage of settlers from cities is increasing. There is a lack of vision for working in the countryside and ideas for living in an environment where economic forces are creating a new landscape. The idea of the project is a dialogue and confrontation of experience, theory, education and practice from many places, which will make it possible to look at the countryside with a fresh eye. That is why PROLOG +1 has invited the collaboration of a group of architects from Europe, which will bring to the exhibition a multifaceted view of the countryside through the prism of territory, settlement and home.
The motto of the 17th International Architecture Exhibition is the question ‘How will we live together?’, posed by Hashim Sarkis, curator general of the biennial. The professor and dean of the School of Architecture and Planning at Massachusetts Institute of Technology pleads: ‘In the context of widening political divides and growing economic inequalities, we call on architects to imagine spaces in which we can generously live together: together as human beings . . . and together as a planet facing crises that require global action for us to continue living at all.’ PROLOG +1 looks for answers outside the city, offering an attempt to define alternative ways of working and living and looking for common goods — what we can use together without any restrictions.
The exhibition will be accompanied by a book which supplements it with theoretical foundations, showcasing the complex issues of rural areas both on a global scale and in a specific Polish context. The invited authors — researchers, sociologists, architects and photographers — question the stereotypical understanding of rural areas and analyse the phenomena and trends occurring there. The catalogue includes essays by Platon Issaias & Hamed Khosravi, Pier Vittorio Aureli, Andrea Alberto Dutto, Katarzyna Kajdanek, Łukasz Moll, Jacenty Dędek’s photo essay, texts by PROLOG +1, a photographic Panorama of the Polish Countryside supplemented by curatorial commentaries in the form of a specific glossary and six projects with descriptions, drawings and illustrations.
Pre-release texts selection from the “Trouble in Paradise” book:
Towards a Common Theory of the Countryside, Andrea Alberto Dutto
>>> .pdf PL/EN (497 KB)
Down with the Commune! Polish Modernisations and Spectres of Rural Commons, Łukasz Moll
>>> .pdf PL/EN (293 KB)
From the Milky Way’s Point of View, We All Seem to Be from a Village (Loesje), Katarzyna Kajdanek
>>> .pdf PL/EN (244 KB)
PROLOG +1 (Mirabela Jurczenko, Bartosz Kowal, Wojciech Mazan, Bartłomiej Poteralski, Rafał Śliwa and Robert Witczak)