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Repeat after Me II is an audiovisual video installation created by the Ukrainian Open Group collective. The group’s work is based on exploring interaction between people...
For the first time in the over-120-year history of the International Art Exhibition of La Biennale di Venezia, a Roma artist is representing a national...
Flight, a sculpture by Roman Stańczak, will be presented at the Polish Pavilion during the 58th International Art Exhibition — La Biennale di Venezia. Visitors will...
Sharon Lockhart (b. 1964) is an American artist living and working in Los Angeles and Poland. Lockhart works with communities to make films and photographs that...
The Polish Pavilion at the 56th Venice Biennale has the pleasure of presenting a panoramic film projection of the opera Halka by Stanisław Moniuszko, as it...
The two hand-made bronze bells which form the core of Konrad Smoleński’s installation at the Polish Pavilion successfully convey a somewhat crude and “primitive” character of...
The exhibition … and Europe will be stunned will be the official Polish participation at the 54th Biennale of Art in Venice in 2011. This video...
The protagonists of Krzysztof Wodiczko’s projection in the Polish Pavilion at the 53rd International Art Exhibition in Venice are immigrants, people who, not being ‘at home’,...
Monika Sosnowska studies architecture from the point of view of its failures, she is interested in places encumbered with error, knocked out of functionality, in absurd...
The main feature of the Polish Pavilion at the 51st International Art Exhibition — la Biennale di Venezia was the presentation of a new film by...
Stanisław Dróżdż was one of several international artists invited to participate in the Kunst im der neuen Messe project coinciding with the 1997 Leipzig book fair...
Leon Tarasewicz’s oeuvre defies description and analysis. Words and language are inadequate when it comes to rendering the alien world of painting whose subject is painting,...
“I am Another” could well be the motto of the most interesting Polish woman artist of the younger generation. Her art challenges monolithic, all-encompassing visions of...
The decision to show Zofia Kulik’s work in the Polish Pavilion at the 47 International Biennale of the Visual Arts in Venice is a function of...
Roman Opałka made his artistic debut in the 1960s – during the late Duchamp period, when he only appeared to be interested in the game of...
Galleries are intended for art as hospitals are intended for disease. Approaching them, we are aware of their distinct and special status. Simultaneously, we are accompanied...
A number of theoreticians have already tried to define Józef Szajna: is he a painter, playwrighter, sculptor, graphic or may be an architect of real, stage...
General theme of the 43rd Biennale was Il luogo degli artisti (The Place of the Artist).
General theme of the 42nd Biennale was Arte e scienza (Art and Science).
General theme of the 41st Biennale was Arte allo specchio (Art in the Mirror).
General theme of the 40th Biennale was Arte come Arte (Art as Art).
It has always been a characteristic feature of the creative activity of Magdalena Abakanowicz to go beyond the traditional divisions of art in general. To the...
In 1978 Poland did not participate in the 38th Biennale, which theme was Dalla natura all’arte – dall’arte alla natura (From nature to art – from...
General theme of the 37th Biennale was Ambiente/Arte (Environment / Art).
General theme of the 36th Biennale was Opera o comportamento (Work and Behaviour).
In 1950 Poland did not participate in the 25th International Art Exhibition — la Biennale di Venezia.
In 1942 Poland did not participate in the 23rd International Art Exhibition — la Biennale di Venezia because of II World War.
In 1940 Poland did not participate in the 22nd International Art Exhibition — la Biennale di Venezia because of II World War.
Datament, a monumental installation presented at the Polish Pavilion for the 18th International Architecture Exhibition of La Biennale di Venezia, will allow visitors to experience data...
We have had to wait for three years for the opening of the 17th International Architecture Exhibition — the 2020 edition of one of the...
Amplifying Nature is a concept proposed—by the eponymous project presented in the Polish Pavilion—to reconstruct the planetary imagination of architecture. The causal aspect of nature, the...
The Polish Pavilion at the Biennale Architettura 2016 directly responds to this year’s theme – Reporting from the Front – by addressing the ethical issues facing...
Created at the Polish Pavilion by the Institute of Architecture and Jakub Woynarowski, the exhibition Impossible Objects deals with the relations between modernism and politics in...
Katarzyna Krakowiak’s sound sculpture Making the walls quake as if they were dilating with the secret knowledge of great powers is the amplification of the Polish...
‘A neon Emergency Exit sign hangs on the facade of the Polish Pavilion. Inside, a surreal structure made of hundreds of reclaimed bird cages hides a...
The Idea Rarely do we perceive majestic, contemporarily erected buildings without referring to their function and importance. Yet, it’s only what’s responsive to change that survives...
Transfer, the title of Jaroslaw Kozakiewicz’s conceptual-architectural project at the Polish Pavilion, denotes the act of transporting something or someone from one place to another, the...
The transition to a new age requires a change in our perception and conception of space-time, the inhabiting of places, and of containers, or envelopes of...
General theme of the 6th Architecture Biennale was Sensori del futuro. L’architetto come sismografo.
General theme of the 5th Architecture Biennale was Una porta per Venezia (A Door to Venice).